Presentation

Discovering the various fields and movements of contemporary art by developing one’s own artistic expression. Such is the opportunity offered by this Bachelor programme to young, passionate artists wishing to perfect their technique, experiment with discourse and consolidate a critical stance. Students benefit from practical and theoretical supervision provided by major actors of the contemporary art scene.

Thanks to state-of-the-art infrastructure, workshops with acknowledged artists and courses provided by experienced practitioners, the students gradually become seasoned in numerous techniques (etching, drawing, painting, sculpture, photography, sound, screen printing, lithography) and means of expression (performance, video, installation, new media or exhibition design). Theory also plays a major role, supported by studio visits and exhibitions as well as a host of multidisciplinary lectures within ECAL.

From pure artistic practice to exhibition curatorship, via writing, teaching or research, the range of opportunities is all the wider by creating an exceptional portfolio. This programme is also a gateway to the Master Fine Arts at ECAL or in another institution.

Language

French

Qualification issued

Bachelor of Arts HES-SO in Visual Arts

Yearly fees (materials included)

Fees detail

Length

6 semesters

Credits

180 ECTS

Useful links

Admissions Contact

Equipments & infrastructures

Workshop BA Visual Arts Silk-screen printing Lithography Workshop Toroni Gallery Open Space BA Visual Arts (1) Open Space BA Visual Arts (2) 

Learning Objectives

First year
  • Acquire the basics of transmission by medium (photography, painting, sculpture, drawing, engraving and publishing, video, sound, performance, music, film, multimedia, etc.) and encourage the questioning of these different media.
  • Experiment with the different tools and artistic approaches available to define your own methodology of artistic work (lecture and workshop practice).
  • Acquire background knowledge via courses in theory, history and methodology, and learn the basics of criticism by calling on a variety of tools (Contemporary History, History of Ideas and Art, Sound Studies, Cultural Studies, Anthropology, Philosophy). Reflect on your work with regard to various historical forms and alternative learning methods.
  • Consider drawing as a work or as a medium for work, test different methods of printing and of multiplying and disseminating images or forms.
  • Test concepts and forms by crossing historical and conceptual knowledge, and test staging and hanging formats for your work.
  • Develop your personal practice in the studio, taking advantage of the many regular or occasional invitations from visiting artists (studio visits) to obtain a variety of points of view on your own work.
  • Take part in weeks of workshops supervised by artists from various fields (performers, painters, musicians, poets, writers, etc.) with the aim of carrying out collective projects (a mix of 1st, 2nd and 3rd year classes) and/or personal projects.
Second year
  • Continue your personal research and practice and experiment with exhibition models, under the eye of regular and visiting teachers.
  • Enhance your relationship with artistic forms and concepts by varying formats (seminars, workshops, collective work, etc.) and multiplying perspectives.
  • Benefit from studio visits and interviews with speakers to hear a variety of points of view on your personal work.
  • Understand exhibitions as a complex object that includes the production of works, group discussions and the definition of spaces, communication, hanging and public display, individually and in groups of various formats.
  • Enhance your knowledge through courses and seminars in Critical Theory, History of Art and Ideas, and Philosophy that call upon a variety of knowledge and critical fields.
  • Learn to make connections in a constellation of past and future artists and forms starting from specific objects, namely music and sound on recorded media (Sound).
  • Start writing and thinking about literary publication in various formats (book, performance, sound poetry, posters, etc.) and start research for the BA dissertation.
  • Take part in weeks of workshops supervised by practitioners from all over the world with the aim of carrying out collective (a mix of 1st, 2nd and 3rd year classes) and/or personal projects.
Third year
  • Refine your choices and positions based on the different methodologies and techniques tested during the course.
  • Multiply different perspectives and levels of criticism by writing about your own work and that of others.
  • Benefit from studio visits and interviews with the artists and curators involved to vary the points of view on your own work and to learn to network and talk about your work.
  • Continue to develop your personal practice and reflect on your work independently.
  • Broaden your knowledge with theory and methodology courses and write a dissertation as a tool to critically support your work or as an autonomous publication.
  • Test a variety of exhibition models and perfect your artistic language.
  • Take part in weeksof workshops supervised by practitioners from all over the world with the aim of carrying out collective projects (mix of 1st, 2nd and 3rd year classes) and/or personal projects.
  • Complete your studies with a graduation work and a portfolio, which will help you meet actors in art worlds and integrate these varied worlds according to chosen rather than imposed conditions, or continue your studies on an MA course.

Projects

This section contains a selection of emblematic or recent projects related to the disciplines taught in the Bachelor's degree.
See all projects

Semester Projects

Workshops

Workshop Una Szeemann

FINE ARTS

Workshop Una Szeemann

Une semaine  focalisée sur la spéculations et les nouvelles histoires déclenchées principalement par la matière avec l'artiste Una Szeemann. Les étudiant.exs ont orienté leurs réflexions sur le pouvoir des objets, du point de vue de l'art, du fétichisme, de l'object oriented ontology, de la psychanalyse et de la magie…

Hum Hum, l'ecal à Treize, Paris

FINE ARTS

Hum Hum, l'ecal à Treize, Paris

HUM HUM MAGAZINE est une publication-exposition nomade conçue par le Bachelor Arts Visuels de l’ECAL dont le premier numéro investit la galerie parisienne Treize. Organisée autour d'une série d'invitations, chaque édition est pensée par les étudiant·e·s du Bachelor Arts Visuels comme une exposition facilement diffusable et activable à l’infini. À l’occasion du lancement de son premier numéro, HUM HUM MAGAZINE investit Treize à Paris pour y déployer son sommaire à l’échelle du lieu. Un projet initié par Philippe Decrauzat, Gallien Déjean et Stéphane Kropf.

DON'T BE HAPPY, WORRY - ecal students x Kenneth Goldsmith

FINE ARTS

DON'T BE HAPPY, WORRY - ecal students x Kenneth Goldsmith

Inspiré·e·s par un atelier intense et stimulant avec l'artiste américain Kenneth Goldsmith, les étudiant·e·s du Bachelor Arts Visuels ont valorisé des signes subtils du quotidien, transformant des pensées errantes en un tapis : non pas comme un dessin, mais comme un détour ; non pas comme une déclaration, mais comme une collection d'absurdités oubliées. Poète distingué par le MoMA, Kenneth Goldsmith s’inspire de son manifeste Uncreative Writing pour créer notamment livres, textes critiques, émissions et installations à partir de collages de matériaux trouvés.

FÉLIX VALLOTTON, UN HOMMAGE,  musée Jenisch, Vevey

FINE ARTS

FÉLIX VALLOTTON, UN HOMMAGE, musée Jenisch, Vevey

by Zuzana Baková, Caroline Bischoff, Emma Blanc-Germser, Mykolya Churmantaiev, Anna Cocimarov, Oana Cuozzo, Mayalène de Roquemaurel, Eulalie Félix, Louis Fontaine, Duna György, Marsaili Venus Haas, Olivia Handschin, Amina Loumachi, Clara Luna, Céleste Meylan, Diego Mühlematter, Paul Reachi, Baptiste Schaerer, Charlie Schär, Jamie Soria, Nayla Younes

Pour célébrer les cents ans de la mort de Félix Vallotton, le Musée Jenisch Vevey invite le Bachelor Arts Visuels de l'ECAL à rendre hommage à cet artiste suisse emblématique dans une exposition collective. S'inspirant de ses gravures qui reflètent l'ambiance parisienne de la fin du XIXe siècle, des colonnes Morris sont recréées dans le musée comme supports modulaires. Elles accueillent affiches, tracts et posters, échos de la culture contemporaine et des questionnements des étudiant·e·s d’aujourd’hui.

Workshop with Cheryl Donegan

FINE ARTS

Workshop with Cheryl Donegan

Week dedicated to experimentation with printing techniques

Workshop Samir Laghouati-Rashwan

FINE ARTS

Workshop Samir Laghouati-Rashwan

WORKSHOP Marie-Caroline Hominal / Pierrine Poget

FINE ARTS

WORKSHOP Marie-Caroline Hominal / Pierrine Poget

The BAAV is inviting two leading figures to its semestrial workshops: Pierrine Poget, author and poet, and Marie-Caroline Hominal, dancer and performer, both from Geneva. The former, described by one student as an "osteopath of the brain", invites a group of students to make a family with the voices in their heads, while the latter invites bodies into the space of the party for a performance in the ECAL film studio.

Workshop Emmanuelle Lainé

FINE ARTS

Workshop Emmanuelle Lainé

by Charlie Jannes, Romain Rochat, Céleste Meylan, Baptiste Schaerer, Romane Roy, Mariana Isler, Noemi Leneman, Anna Kawahara, Tom Grbic, Julie Wuhrmann

Contexte

Workshop Jan Vorisek

FINE ARTS

Workshop Jan Vorisek

by Caroline Bischoff, Louis Fontaine, Giada Gollin, Olivia Handschin, Amina Loumachi, Clara Luna, Axel Mattart, Achille Meier, Charlie Schär, Jamie Soria, Nayla Younes, Mayalène de Roquemaurel

Self explanatory

ECAL×Cheryl Donegan

FINE ARTS

ECAL×Cheryl Donegan

Nostalagia Is a Different Kind of Pain(t) ECAL x Cheryl Donegan On the occasion of  artgenève  from 3 to 6 March at Palexpo, ECAL presents projects by Bachelor Fine Arts students produced during a workshop with American artist  Cheryl Donegan Initiated in the context of a collaboration with the Art & Vie Foundation, whose mission revolves around textiles, this workshop aimed at crossing everyday objects, subverting craft processes and reproductive gestures. Produced by students from the first to the third year, the selection of works presented reflects the transdisciplinary approach of the programme, where tapestry meets painting in dialogue with more performative pieces or digitally printed and cut aluminium sculptures. Students Patricia Araujo Roxanne Christinet Alexis Colin Oriane Emery Salomé Engel Maria Esteves Albertine Grbic Clément Grimm Laura Hagmann Mathilde Hansen Mariana Isler Charlie Jannes Anna Kawahara Nolan Lucidi Ella Minton Romane Roy Lou-Anna Ulloa del Rio Flavio Visalli Florentina Walser Opening hours Thursday 3 March: 12 - 7pm Friday 4 March: 12 - 8pm Saturday 5 March: 12 - 8pm Sunday 6 March: 12 - 7pm Palexpo Rte François-Peyrot 30 1218 Le Grand-Saconnex https://palexpo.ch/

Workshop Cheryl Donegan

FINE ARTS

Workshop Cheryl Donegan

Workshop Attila Faravelli

FINE ARTS

Workshop Attila Faravelli

Diploma Projects

Clara Luna – Réverbères

FINE ARTS

Clara Luna – Réverbères

by Clara Luna

What happens between lightning and thunder? Distance (d) = Seconds’’ : 3 The Lamposts are located somewhere (...) The evasive measure of time; the experience of atmosphere and doubt. 1,6 km

Eulalie Félix – Il est parfois nécessaire de faire une scène.

FINE ARTS

Eulalie Félix – Il est parfois nécessaire de faire une scène.

by Eulalie Félix

My first is hollow and clangs softly when struck by a wandering step. My second is barely a word — just a pause, a breath between thoughts. My third hides in the dark, curled in warmth, five to a foot. My whole lies quiet beneath the earth, waiting to feed with no pride, only patience.

Baptiste Schaerer – La Vanrac

FINE ARTS

Baptiste Schaerer – La Vanrac

by Baptiste Schaerer

A bull's voice, a linnet's head, an elephant's memory, BANG! a viper's tongue, an ostrich's stomach, a lion's heart, a monkey's grin, as sharp as a blackbird, POUET! as nasty as a caterpillar, BOOM! as stubborn as a donkey, as cunning as an old monkey, as talkative as a magpie, as cowardly as a rabbit YOUPIII

Charlie Schaer – gastro-sensuelles comorbidités (...)

FINE ARTS

Charlie Schaer – gastro-sensuelles comorbidités (...)

by Charlie Schaer

The installation comes with a poem printed on paper, which is also the title of the piece. materials : clay, aluminium, condoms, dental dams, string, cherries, industrial wax & clay wet with testosterone gel, aluminium,  candle wick, bees wax

Duna György – One hour is much more than you think

FINE ARTS

Duna György – One hour is much more than you think

by Duna György

everybody dries their shit under the sun

Emma Blanc-Germser – Noce de pigeon

FINE ARTS

Emma Blanc-Germser – Noce de pigeon

by Emma Blanc-Germser

We're off to tell our own stories, piecing together the crap that surrounds us to make beautiful structures while gradating the shades of brown, beige, black, ochre, khaki, that it offers us. Because when the tears stop coming out, everything ends up coming out through the buttocks. And there's nothing left to do but to go in the quest of love.

Amina Loumachi – Pleaser Flamingo-808G 8 inches schlong

FINE ARTS

Amina Loumachi – Pleaser Flamingo-808G 8 inches schlong

by Amina Loumachi

This performance play with themes of spaces. Through sexualities, the artist questions power dynamics, creating a link amongst the bioluminescence concept as a visibility strategy and queer activism. With heels dancing and a neon atmosphere, the project explores the way of inhabiting the space which could either be intimate or the public. The artist amplifies the echo of their heels, which draws the silence while lighting up the space with each clack. A dialogue is created with the public, still but here. A biocenosis takes place where a space-sound landscape exists creating a tangible discomfort. Bodies become a vector of memories, breathing as the performance goes. A shared heritage gets distributed but also reverses the positions of everyone.

Anna Cocimarov – De deux choses l'urne (qui rit), l'autre c'est le sommeil...

FINE ARTS

Anna Cocimarov – De deux choses l'urne (qui rit), l'autre c'est le sommeil...

by Anna Cocimarov

Laughter on TV was recorded in the 1950s. Today, most of the people you hear laughing are dead.” This line from the novel Berceuse by Chuck Palahniuk  feels like an urban legend — half true. It echoes Bruce Nauman’s Partial Truth, a cold, minimalist stele shaped like a dead TV screen. Television, too, builds partial truths: cutting, filtering, reframing reality. We watch the news like a sitcom, between forced laughter and banalized tragedy. This installation reflects this fractured perception: two urns — one laughs, the other sleeps. Vessels of memory, they embody both absurdity and numbness. Between laughter and sleep, death and spectacle, the boundary fades — like truth itself.

Caroline Bischoff – Daisy Selfie

FINE ARTS

Caroline Bischoff – Daisy Selfie

by Caroline Bischoff

I want to go out but I also want to stay in.

Céleste Meylan – Duels

FINE ARTS

Céleste Meylan – Duels

by Céleste Meylan

If you come looking for me, you will find me.

Diego Mühlematter – Anybody Out There ?

FINE ARTS

Diego Mühlematter – Anybody Out There ?

by Diego Mühlematter

Interested in photographic devices and images, the artist tries to make them coexist by using camera backs as windows. He explore the gray area inside the camera and tries to map this wandering.

Jamie Soria – eddy

FINE ARTS

Jamie Soria – eddy

by Jamie Soria

once upon a time a little vampire lost himself in the forest...

Program

This section lists the detailed modules and courses for each semester of the programme.

Semester 1 Semester 2 Semester 3 Semester 4 Semester 5 Semester 6

Theory, research and implementation I
6 ECTS
  • Topaze

  • No Sound: Sound Reflection

  • To Be Titled

Drawing and editing I
6 ECTS
  • Creative Drawing

  • Multiples

Media Technology I
12 ECTS
  • Painting?

  • Presto digiti

  • Rational Amusement

  • Rec/Play image

     

Projects I
6 ECTS
  • Special week
  • Display and motivations
Theory, research and implementation II
6 ECTS
  • Topaze
  • No Sound: Sound Reflection
  • To Be Titled
Drawing and editing II
6 ECTS
  • Creative Drawing

  • Multiples

Media Technology II
12 ECTS
  • Painting?

  • Presto digiti

  • Rational Amusement

  • Rec/Play image

     

Projects II
6 ECTS
  • Special week
  • Display and motivations
Theory, research and implementation III
6 ECTS
  • History and theory of art
  • Theory and practice of contemporary art
  • History of Ideas That Matter
Specific Courses I
4 ECTS
  • Sound

  • Rec/Play

Critical Courses I
4 ECTS
  • Facts and figures
  • Ecriture
Art-definition I
8 ECTS
Art-creation I
8 ECTS
  • Special week
  • Personal project
Theory, research and implementation IV
6 ECTS
  • History and theory of art
  • Theory and practice of contemporary art
  • History of Ideas That Matter
Specific Courses II
4 ECTS
  • Sound

  • Rec/Play

Critical Courses II
4 ECTS
  • Facts and figures
  • Ecritures
Art-definition II
8 ECTS
Art-creation II
8 ECTS
  • Special week
  • Personal project
Theory, research and implementation V
6 ECTS
  • History and theory of art
  • Theory and practice of contemporary art
  • History of Ideas That Matter
  • Mémoires de Bachelor

 

Art-definition III
12 ECTS
  • Personal project
  • Special week
  • Building a fire/exhibition practice I
Art-creation III
12 ECTS
Theory, research and implementation VI
8 ECTS
Art-definition IV
8 ECTS
  • Personal project
  • Building a fire/exhibition practice II
Bachelor project
14 ECTS
Find all the programme documents below

Alumni

Alfredo Aceto
Gina Proenza
Kelly Tissot
Career Opportunities

Visual artist, Art critic, Curator, Art director, Teacher, Cultural mediator, Performer, Stage manager, Exhibition designer, Video artist…

Other alumni

Valentin Carron, Claudia Comte, Sylvain Croci-Torti, Stéphane Dafflon, Philippe Decrauzat, Natacha Donzé, Cyprien Gaillard, Frédéric Gabioud, David Hominal, Gilles Furtwängler, Mélodie Mousset, Simon Paccaud, Gina Proenza, Jeanne-Salomé Rochat, Denis Savary, Baker Wardlaw, Shirin Yousefi…

Staff

Head of department

Stéphane Kropf

Coordination

Assistants
Charly Mirambeau
Romane De Watewille

Printing workshop
François Kohler

Lithography workshop
Simon Paccaud

Silk-screen workshop
Sylvain Croci-Torti 

Professors

Francis Baudevin 
Geoffrey Cottenceau 
Stéphane Dafflon 
Philippe Decrauzat 
Federico Nicolao 
Karim Noureldin 
Tatiana Rihs
Denis Savary
Thibault Walter

Lecturers

Philippe Azoury
Tina Braegger 
Emanuele Coccia 
Dimitri De Preux 
Gallien Déjean 
Patricia Falguières 
Tristan Garcia
Miriam Laura Leonardi 
Gina Proenza 
Stéphanie Serra
Zoe Stillpass

Visiting Lecturers

John M Armleder 
Erica Baum
Carlos Casas 
Delphine Coindet 
Rochelle Feinstein 
Ryan Foerster 
Gabriele Garavaglia 
Dorota Gaweda 
Maxime Graf 
Fiammetta Griccioli 
Wade Guyton 
Charlotte Herzig 
Marie­Caroline Hominal 
Eglè Kulbokaité 
Bernhard Leitner 
Lydia Lunch
Helen Marten
Shana Moulton
Hans­-Walter Müller 
Kaspar Müller
Olaf Nicolai
Precious Okoyomon 
Virginia Overton 
Lionel Ruffel
Thomas Tilly
Achraf Touloub
John Tremblay 
Hannah Weinberger